![]() ![]() Many literary critics regard her to be one of the most significant Latina writers and she has achieved critical and commercial success on an international scale. Her publications as a poet include Homecoming (1984) and The Woman I Kept to Myself (2004), and as an essayist the autobiographical compilation Something to Declare (1998). She rose to prominence with the novels How the García Girls Lost Their Accents (1991), In the Time of the Butterflies (1994), and Yo! (1997). In one way or another, each season needs to stand on its own.Julia Alvarez (born March 27, 1950) is an American New Formalist poet, novelist, and essayist. We're not a full anthology, where we're going to revamp everything completely and we're going to be talking about a new universe, but I think the idea of us not having a new person to focus on, that can feel a little bit strange. He revealed, "One thing that we expect from ourselves when we start to break a new season is it needs to have its own feel. And so, same with after Season 2 - hopefully you have a feeling of completeness and it honors this journey that you and the characters went on, but at the same time, yeah, we could definitely wow you with a third season."īloomberg added there's a strong chance a third season would not feature Monae's character as the protagonist, but would instead revolve around a new star. ![]() And I think a lot of the fun of Season 2 is things that you thought were resolved, you actually didn't understand at all. But Horowitz did say they're definitely thinking about how the show might go forward: "We try to always leave kind of secret doors into future seasons. Will there even be a third season? That's an impossible question to answer in a world where all of these interviews were conducted via a remote video junket. "If we did that here, it would turn it into a gimmick and take it away from being an inspired choice, as opposed to, 'Oh, well, we've got to find some way to make the screen change size at some point.' And as much as I love those qualities, as much as I would love to shoot something in a custom aspect ratio, it didn't feel driven by the script and the story," Alvarez said. This especially applied to the aspect ratio changes which were used to differentiate the two different time periods in which the show was set. I was certain that if we used them again - we could have, but we would have been shoehorning them in, right? Season 1, those were inspired choices, and they were inspired by Heidi, what she's going through." While Season 2 did feature some longer-than-usual shots, Alvarez did know which elements he knew needed to be exclusive to Season 1: The aspect ratio changes and the use of classic film scores.Īccording to Alvarez, "Those were two of my favorite things about Season 1, but. "It was genuinely, for me, one of those things that as soon as I got the job, I was like, 'I'm going to put like everything I have into this, emotionally and physically.' I just cared about it a lot," he shared. ![]() He came in with a lot of specific ideas that were great, but the main thing was the idea that like he was going to pour everything he had into this project."Īnointed new director Kyle Patrick Alvarez may not have even known that that attitude helped him get the job. That's what Kyle really blew us away with. Meanwhile, finding a new director for the season represented its own challenge, but what Horowitz said he and Bloomberg were looking for was "the same level of energy and innovation and dedication and attention to detail that Sam had, beyond any of the particular aesthetics. So we kept gravitating back towards him." I think there's no better representative of the consequences than him as a character. It's a great way to drive the consequences of Homecoming into the story and drive the fallout. Was there any doubt they would bring back James, given how Walter's storyline was seemed to get something resembling a happy ending? Horowitz said they "had lots of different iterations of the season, but we kept coming back to him. ![]()
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